While they also maintain individual practices, Donna Conlon and Jonathan Harker have collaborated since 2006. Their videos playfully explore the intrinsic properties of found objects to generate incisive and poetic social criticism.
Conlon and Harker have exhibited their collaborations widely, in solo shows at Diablo Rosso Gallery, Panama (2015); Washington Project for the Arts (2015); Despacio, Costa Rica (2014); Neuberger Museum of Art, Purchase College, NY (2014); El Nuevo Museo de Arte Contemporáneo, Guatemala (2014); TEOR/éTica, Costa Rica (2009); Samson Projects, Boston (2007); as well as group shows at the Pérez Art Museum, Miami (2017); Utah Museum of Contemporary Art (2017); South London Gallery (2016); Museum of Contemporary Art, Detroit (2015); Solomon R. Guggenheim Museum, NY (2014); Prefix Institute of Contemporary Art, Toronto (2013); Queensland Art Gallery, Brisbane (2012); El Museo del Barrio, NY (2012); y Palais du Tokyo, Paris (2009). They have also participated in events such as Pacific Standard Time: LA/LA (2017); Bienniale of the Americas, Denver (2015); The Asunción Bienniale (2015); the 43rd Salón (Inter)Nacional de Artistas, Medellín (2013); the 8th Mercosur Biennale, Porto Alegre (2011); Pontevedra Biennale (2010) and the 10th Havana Biennale (2009).
In 2010, Conlon and Harker received a production grant from the Harpo Foundation. Their collaborations are included in public collections including the Solomon R. Guggenheim Museum; the Tate Modern; Queensland Art Gallery; the Kadist Art Foundation; and the Centro Galego de Arte Contemporáneo.